Diana’s Dresses

Diana: Glimpses of A Modern Princess, is a small but dreamy little exhibition at Kensington Palace. The exhibition, curated by interior designer Finola Inger, showcases 5 of Diana’s evening dresses, oooh what a delight! The whole thing has been beautifully designed, with the most stunning brightly coloured wallpaper lining the walls of the room. Artist Julie Verhoeven was asked to sketch some copies of famous Diana photographs, the deliciously vivid result is a great modern tribute.

The dresses are, as you would expect, well out of touching reach, safely behind glass and gently lit. It’s great to see the dresses up close though, I love seeing dresses that hold great provenance and these are pretty iconic pieces.

The five dresses displayed are;

  • Pink & Purple dress by Catherine Walker. Worn during official visit to Thailand, 1988, and at a London film premier

  • Ivory crepe evening gown by Catherine Walker. Made especially for a state dinner for the King & Queen of Malaysia, 1993. Also worn for iconic portrait by Mario Testino

  • Black taffeta evening dress by Emanuel. Worn to Goldsmiths Hall in London for her first official engagement, 1981

  • Black & white cocktail dress by Bellville Sasoon-Lorcan Mullany, 1989. Worn at charity gala performance at Sadler’s Wells Theatre, London, 1990

  • Black cocktail dress by Gianni Versace, worn at Apollo 13 film premiere, London, 1995

This exhibition has now ended, for more information visit http://www.hrp.org.uk/KensingtonPalace

A Prim & Proper Exhibition

A delighted gal was I, when my shop Prim Vintage Fashion was asked by The Forum in Norwich to dress the set for an upcoming exhibition! Jubilee Journalists, in the Fusion Digital Gallery at The Forum, showcases the Diamond Jubilee as seen by Norfolk’s younger generation. Over 30 young people received journalism training from The Eastern Daily Press, BBC Radio Norfolk and BBC Voices in a Norfolk County Council organised venture. The resulting films, stories and images are then projected on the huge digital screen that wraps around the walls inside of the gallery.

To add a little extra to the exhibit, I was asked to display a selection of dresses which would have been typical of young women in 1952 when the Queen took to the throne. I spent a fair while stressing about how best to show the era, short dresses, long dresses, daywear, cocktail gowns….I am pretty fussy when it comes to showcasing my shop and my style, but alas, when I arrived to dress the mannequins the dresses I had planned were too small for the slightly larger than described mannequins! So after a very quick rethink I opted to show 4 versions of the same classic 1950’s silhouette. Knee length dresses with nipped in waists and full skirts, lovely! 3 brightly printed cotton ones, I like the clash of the patterns next to each other, and one prom style sugared almond pink dress, so, although not the dresses I originally planned, the exhibit adds a pretty cool extra dimension to the work on the screens, without distracting from it. I ruddy adore dresses and putting them on display, my favourite part of owning a shop is the window displays, so taking part in this is a real big Yipppeeee!

Jubilee Journalists is free and is on until 25th August http://www.theforumnorwich.co.uk

Dresses from Prim Vintage Fashion http://primvintagefashion.com

Fizzy, Bang, POP!

I merrily swooshed down to my most favourite place, the Fashion and Textile Museum in Bermondsey for the opening day of their new exhibition POP!

I adore this place, it’s a great size and it has a really genuine, informal vibe. This latest exhibition has been curated to perfection by Dennis Nothdruft, of the Fashion and Textile Museum, with guest curators Richard Chamberlain and Geoffrey Rayner of Target Gallery. The exhibition takes a good look at the way music, art and celebrities from the late 1940’s to the late 1970’s influenced fashion, as well as attitudes, ideals and desires. It takes us from the glee of Rock ‘n’ Roll through to anarchic Punk Rock, via, Mod, Psychedelia, and Kitsch. As usual with this lovely place, the exhibition is a visual delight! It’s been displayed so beautifully and precisely, the sleek Mods, the black and white of Quant, the neons of the Psychedelic; it’s glorious to say the least.

Skirt fabric for Elvis fans, 1956.

Men’s Slicker jacket, 1957.

Martini label skirt, 1956.

I love this Martini skirt, which demonstrates the early use of commercial advertising as a decorative form, it’s gooorgeous! The exhibition has fashion and home wares from each era as well as some cute quirky pieces of consumer goodies.

Potato Sack dress, C.1960.

This sack dress is ace, a witty satire of Pierre Cardin’s radical Sac dress from the 50’s, implying that anything can be turned into fashion.

Part of the exhibition….

Mary Quant dress, 1961.

Part of the exhibition showing monochrome Mary Quant

My favourite bit was the late 60’s, early 70’s kitsch and cartoony part of the exhibition, great to see some prints from Zandra Rhodes in there too!

A pair of shorts by Sylvia Ayton, 1967, using Zandra Rhodes ‘Lipstick’ fabric

Wedge shoes and belt by Mr Freedom, 1970.

Cruise Dress by Sportaville, 1969.

Terry De Havilland snakeskin platform peep-toe shoes, 1971.

Fiorucci ‘Cherries’ platform sandals, 1971.

This Pop! exhibition sure does make your eyes pop, it’s so startlingly colourful and effervescent, and translates magically the potent influence that modern popular culture had on the designs of fashion. So much to look at, loads of classic iconic pieces to gaze at as well as loads of cute unusual discoveries too, pop along and give your eyes a feast!

http://www.ftmlondon.org

Pop! is on until 27th October 2012

 

 

Print-cess Mary Katrantzou

Mary Katrantzou walked into the room wearing head to toe black. For a woman whose fashion designs are known for pioneering bright, fussy, intricate and vivid print, I was kinda surprised that she was dressed so plainly. I liked the contrast though between the images her name conjures up and the simple dark silhouette she commands when in front of you. I went to ‘An Evening with Mary Katrantzou’ at the Fashion and Textile Museum, as with the talk by Pat Albeck, this was a small informal group and Mary chatted about her career in fashion design. She spoke of how happy she was that finally print in fashion was shifting and evolving and women were becoming more open to wearing print as well as all black. When questioned why she herself was dressed in all black, Mary replied ‘All year round I wear the same, a black A-line skirt and a black long sleeved top, I’m known for it, I am not known for wearing print. When you are constantly creating and working with colour and print, you need a plain uniform to counterbalance it. My flat is as plain as it gets, all white walls and wooden floors, nothing else.’ I like this, I think it would be pretty crazy if her whole life, every aspect, was about prints and colour, the dissimilarity between her work and home life must keep her sane.

Greek born, Mary studied in the USA at Rhode Island School of Design and then went on to St Martins where she completed her BA and MA. Her original interest was in architecture, then fabric, and then she moved into fashion. ‘Once you start working with the body, a 3D figure- everything changes. You never know how a pattern will look and change on the figure, the way it swings, the way pleats hang..’ she seemed to have been really fascinated by how her print designs could take on a whole new form through shape and movement. Once you work with the female figure ‘you become a fashion designer’.

Mary’s fashion designs are all about print, when she first started, it was stilll early days of digital print, she taught herself Photoshop and still, today, it is the only programme she uses. In her Graduation show, she had 9 dresses, all identical in silhouette but with different intricate and bold prints. Mary confesses that she is not able to pattern cut herself, she works completely on the model. Her interest in architecture comes into play as she adds the fabric to the model, shapes it so that it flatters and hangs as she wants it to, her dresses have a real sculpted, and architectural element.

Mary loves women, she knows women and she designs for women. She chatted about one of her earlier collections where she took items that women coveted but couldn’t physically wear, like perfume bottles or vases and put them in print form on a dress, enabling the woman to wear what she loves in a new form. I love this concept. It has a real tongue in cheek element as well as being utterly beautiful in itself. Some of her dresses are pretty surreal and abstact, quite sci-fi too. But, a woman after my own heart she says, ‘It should be as viable to make a dress a woman can treasure and collect and wear once, as it should be to make a dress a woman can wear 500 times’. Oh yes, dresses aren’t always things to be worn over and over, they can be purely an object to love and adore for it’s form and beauty.

Three of Mary’s dresses were on display for us to look at; the first is a really cute and kinda futuristic sculpted shape, different sections and fabrics with contrasting prints, she told how her inspiration was to take elements of ornamentation from different countries and cultures; tapestries, florals, vases, and put then all in one dress……very gorgeous and pretty wearable too.

This next dress has so many elements, the mixed layers of raffia, silk, canvas and beading mixed with the different prints make it a really stunning piece…

This last dress is my favourite, plush velvet with different prints, the colours are really vivid and Swarovski jewels have been hand-applied to excentuate the colurs…beautiful!

Twas a lovely few hours looking at lovely dresses with some lovely people, Mary said how thrilled she is that her dresses are worn by women from ages 25 to 65, ‘and they all wear them equally well’. 

For more information visit www.marykatrantzou.com

Dresses in the Basement

Ooh. My.

Such utter loveliness tucked away in the basement of London’s Selfridges!

Throughout the Selfridges summer celebration of all things lovely and British, they are showing a most adorable vintage fashion exhibition in their Ultralounge, which is tucked away in their basement, it’s so beautifully quiet and tucked away I felt like I had stumbled across a secret magical land of dressses….dreamy indeed.

This Britannica exhibition is curated by Judith Clark, a well known figure in the world of Fashion and Museology, she currently lectures on the Fashion Curation MA course at London College of Fashion…. her knowledge is massive.

This exhibition is small but most perfectly formed, it’s really dark, and lit to perfection, focusing on silhouettes and the lines of the clothing. It consists of seven installations inspired by 3 issues of British Vogue. In 1951, Vogue brought out a special ‘Britannica’ issue which was so popular they issued it again for the following two years in February, covering both The Festival of Britain and the Coronation of Queen Elizabeth II. The issues looked specifically at Britishness, post war style, culture and Britain’s ability to embrace old traditional style with a fresh nod to the new. In February 1951 Vogue put on a fashion show in Selfridges which then went on to show in other cities in Britain, oh my, imagine how lovely it would have been to see that! These simple wearable patterns sketched in Vogue could be imagined in any fabric and so were considered applicable to many shoppers. The Coronation colour was named Champagne Pink, it would be used again and again to celebrate our ‘English Rose’ Princess Elizabeth.

The exhibition is seven mannequins, each in a scene, seven ‘living pictures’, each figure wearing one of the Vogue patterns, made up in a grey colour as they were first sketched. This exhibition is so enchanting, it’s like you stumble across a hive of gorgeousness and calm where time stands still, hidden under the rush of central London. This is so expertly styled, the dark shades of grey with splashes of pink are perfect, and the clash of quirky hats are by Stephen Jones, I’m not generally a hat gal, but crikey, these designs are amazing and a perfect dash of modernity. In the centre of the room is a large 1950’s stylised clock face, as a reminder of the formality of the early 50’s, dresses are wholly appropriate to certain times and places.

Each outfit shows a different time in the girls day…the first is her at 10am in a grey swing coat holding a silk scarf…

…the second is her gazing at a mannequin in a shop window in an amazing slim skirted suit which has velvet detailing…..

…the third scene is of a presentation of Vogue patterns in a department store…this dress is a heavy wool fabric with embroidered thistles and crowns….

….the fourth shows her at 5pm at a cocktail party in a full skirted dress with black polkadots….this is such an amazing dress, they all are, but this one looks especially beautiful in the spotlight…

…then we see her at 8pm going to The Ball in a regal, full length strapless, sparkle encrusted gown…

…the sixth scene shows her at an urban gallery in a great coat and trousers with a head scarf…

…the last is a country scene where she wears a wool check swing skirt and knitted top…

This exhibition is a small masterpiece, the styling, lighting, colouring and the clothes themselves are just plain beautiful. 1950’s fashions are timeless in their appeal, they just ooooze femininity and are always a shape women are drawn to, every single look in this exhibition translates to todays fashion and could be worn onto the streets above and look nothing but current, Vogue always gets designs so right.

This exhibition is on until 24th June 2012, it’s gorgeous, free and will fill your belly with pure gleeeee!