The Hilton Affair, 1963

I bloomin’ love it when I source a vintage dress and also find out its story, it makes that dress come even more alive and adds a real sprinkle of magic! This dress came into my possession a short while ago and has a story so cool that I can’t yet bear to part with it! I bought this dress from it’s original owner, a lady in her mid 60’s who pulled it out of her bag and said This dress has a romance to it….

Well, add her words to the fact that this dress is ridiculously cute and gold…..BOOM, I wanted it!

This dress, this little darling, is the epitome of it’s era. A sparkly cocktail dress with a tulip shaped skirt, stunning simple neckline and buttons and bow detail, I can just picture it being worn with a blonde beehive and kitten heels! Made by ‘Frank Usher London’, the tailoring is adorable and it even hangs beautifully on a hanger, a really defined little shape! The dress also has a ‘Harrods London’ label in it so it would have been made by Usher to sell in the Knightsbridge store exclusively; which is where it’s previous owner fell in love with it.

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She was in the dreamy department store with her lover of the time and saw the dress, she adored it and so he bought it for her. He was taking her to the opening of London’s Park Lane Hilton Hotel. Wow! On April 17th 1963 she wore it to the opening of this amazing hotel with her lover….he was extremely famous by the way she told me as she left….oooh who was it?’ I asked, to which she smiled and whispered;I can never tell anyone, he was married

So this little cutie of a dress, not only attended a fascinating and no doubt ridiculously glamorous event, but it was worn on an illicit date by a girl who was madly in love with her famous, secret lover! What this dress must have been witness to… how wonderful and thrilling!

I found some images of the Park Lane Hotel and it’s opening event on this great site, it’s a big shame the lady wouldn’t let me have a photo of her in the dress with her man; I guess that’s a secret that her and the dress will forever keep to themselves.

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All images of Park Lane Hilton by very kind permission of ©famoushotels.org 

  1. an invitation to the opening
  2. the opening dinner menu, prepared for 900 people
  3. the main dining room at The International Restaurant
  4. The London Tavern dining room
  5. sitting room of a suite on the 27th floor
  6. Trader Vic’s the Polynesian restaurant
  7. newspaper cutting
  8. the very first brochure, 1963

You can find other equally gorgeous 60’s cocktail dresses to wear at The Hilton like this pink one, in my online vintage shop!

Sun, Sun, Sunday!

 

 

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Whoop, yesterday was a Sunday full of bright winter sunshine, and so we headed to the coast for a runaround! Zooming off for a bluster of sea air and a blaze of sunlight in our eyes…a good kinda day off. The tide was out at Sheringham and the white stone exposed far out on the beach made us feel as though we had landed on the Moon, brilliant. It always feels so good to get a day away and to explore the coast. We also met a cat which made the day even more perfect. Winter sun is ace. Happy day. 
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Fashion Galore, Blown Away.

Isabella Blow, 2002 by Diego Uchitel

Isabella Blow: Fashion Galore! What a spectacular fashion exhibition indeed. Curated by Alistair O’Neil and Shonagh Marshall, this Somerset House exhibition was a pure thrill to see. I visited on a late night Thursday on the week that it opened, a dark cold wintery London evening. Somerset House is breathtaking in this season, with the skate rink full of whizzing, wrapped up festive people and the Christmas tree that seems as big as a Cathedral; perfection. This exhibition used the same space which housed the Valentino exhibition, but this time the space was used so much better and felt like a much more slick and modern curation.

This huge exhibition celebrates the life and wardrobe of the infamous Isabella Blow whose work as a fashion Editor, Stylist, Consultant and Muse made her a prominent figure in the industry for over 20 years. A fascinating woman, born in 1958, who after a troubled upbringing whereby her parents separated, her Brother died and her Father didn’t like her, moved to New York City to study. Among many things, Blow shared an apartment with an actress, moved to Texas, worked for Guy Laroche, got married, met Anna Wintour and became her assistant. Pretty good going. She then became the assistant to Andre Leon Tally, chief Editor of US Vogue. Working for these people, the biggest names in fashion publishing, jobs that people would kill for, came naturally to Blow, hanging out in circles that included Andy Warhol, Blow was fast becoming a fashion icon. In 1986, she returned to London and worked for Michael Roberts, the then Fashion Editor of Tatler Magazine and The Sunday Times Magazine. Blow was a lucky lady in the career department, having jobs people can only dream of, and in her personal life, she was now divorced. In 1989 Blow went on to marry Art Dealer Detmar Blow. You would imagine her life to be wonderful, living a fashion dream, but she was a woman plagued by sadness and depression.

One of the things that Blow was most known and respected for was finding and nurturing British fashion talent. Most famously she discovered and nurtured Alexander McQueen, Philip Treacy and Matthew Williamson. She personally bought the entire first collection of McQueen by paying him in weekly installments. Philip Treacy’s hats became her signature style;

“That’s why I wear the hats, to keep everyone away from me. They say, ‘Oh, can I kiss you?’ I say, ‘No, thank you very much. That’s why I’ve worn the hat. Goodbye.’ I don’t want to be kissed by all and sundry. I want to be kissed by the people I love.”

In 2007 Blow committed suicide after drinking weed killer, it followed numerous attempts at taking her own life including jumping from Hammersmith Bridge and breaking both her ankles. At the time of her death, Blow was also suffering from ovarian cancer. She had told her husband that she couldn’t fight her depression any longer. A sad end to her life, a life that was vibrant, theatrical, bold and unapologetic. Blow’s story proves so vividly that no matter what success or wealth you find in life, mental illness can take precedence and make it all seem pointless. Her life is a very valid reminder of how big an illness depression can be. Blow left behind her a wonderful legacy, her eccentricity and her genius as an artist proves how important fashion is in enabling us to express ourselves and have fun.

Fashion Galore! showcases over 100 pieces from her collection including many from the designers she discovered and launched. An amazing amount of Treacy and McQueen, all displayed to perfection, with great lighting and a wink of humour, this exhibition is truly celebratory rather than sombre. I also loved how the clothes were not behind glass, instead of treating them like rare butterflies, they are in the open so you can really peep up close and breathe in the detail. A beautiful tribute to an extraordinary woman.

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This exhibition runs at Somerset House until 2nd March 2014, in association with The Isabella Blow Foundation.

Prim girl goes Punk; Chaos to Couture in NYC

METBeing a girl who adores fashion exhibitions, and being a girl who was just recently in New York City, it must come as no surprise that, whilst in Manhattan, I headed straight off to The Metropolitan Museum of Art to take a look at the current Costume Institute exhibition; Punk: Chaos to Couture. Concieved and curated by the British Andrew Bolton and designed by Sam Gainsburg, this exhibition was a real delight. Having had some critiscm for not representing the gritty, agressive, druggy and anti-establisment culture of punk, Bolton has instead curated an exhibition of fashion through the years which pays tribute to and embraces the ethos of punk and its visual language. He deliberately didn’t want to do a nostalgic retrospective on punk,  “I don’t want this to be a trip down memory lane”, I think by making that choice he has provided us with a really fresh take on the genre and its enduring influence on high fashion. The exhibition has done exactly what it set out to do, it is a fashion exhibition and not a look at music, politics or the subculture of punk itself.

This exhibition is a feast for the eyes, no glass boxes, no stuffy layout, all the clothes were in the open and perfectly grouped in each gallery, some gallerys were light and modern with a clean monotone pallette while others were dark and loud and multicoloured. Each gallery was totally different from the last and each was stunning. The exhibition looked at the origins of Punk in the 70’s, covering both London and NYC, with cute mock-ups of seedy club toilets and the Vivienne Westwwood Sex shop. It then covered all aesthetic influences of punk with galleries each dedicated to a theme; DIY Hardware, Bricolage, Graffiti & Agitpop, and Destroy. Some of the clothes were beautiful, some were a little experimental, but stunning in their creations none the less. It was great that there was really recent fashion there as well as some older pieces, original Westwood items from the era alongside a 2010 Punk inspired Moschino dress. The clash between the creaftmanship of couture and the ameturism of real DIY punk clothing was both subtle but deliberate, as Bolton himself said, both stem from spontaniety and individuality, therefore embracing the punk ideal. The styling of the mannequins was great, very strong with matching wigs of exaggerated spiked and coloured hair. The lighting in each space was theatrical perfection. I loved this exhibition, I saw fashions that I adored and I saw styling that was humourous and well thought out, the fact it was in my favourite museum in my favourite city on a balmy hot day made it all the more super. I’d recommend this to people who love fashion, if you were an original punk and looking for a representation of the era and all its anarchy then you won’t find it here, this is about fashion and the influence punk has on it; its a pretty kind of punk. Pretty cool.

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  1. Christopher Bailey for Burberry S/S 2013
  2. Original Westwood/McLaren Seditionaries T-shirts
  3. amazing studded skirt from Too fast To Live, Too Young To Die, 1972
  4. general exhibition view
  5. black dress on the left by Versace S/S 1994 (famously worn by Liz Hurley)
  6. black bin bag dress by House of Moschino S/S 1994
  7. outfit of pearls by Maison Martin Margiela  S/S 2006
  8. plastic bag dress on far right by House of Moschino S/S 1994
  9. general view including Katherine Hamnett slogan T-shirts
  10. spray painted Alexander McQueen S/S 1999
  11. general exhibition view
  12. dress by Miguel Androver 2000
  13. the final mannequin gives the finger

Punk: Chaos to Couture is at The Met until 14th August 2013

A sunny Brooklyn flea market

fleaOn my first saturday in Brooklyn, Kristin and I headed up the street to my favourite flea market, it was suuuuuper sunny and so was a perfect morning to mooch around and look at the wares. This flea market is a great size, big but not too big, lots of clothes, furniture and crafty bits; more craft and less vintage than when I was last here and more pricey than my last visit, but, good vintage dresses are becoming harder to find so I totally understood the higher prices. Some stalls did have great prices though as I did find an amaaazing pair of pink and gold 80’s Bally shoes for $20 though which made me squeal out loud on first glance. I also bought a cute cat softy for my nephew and the coooolest handmade card for James.

It was so sunny, I was crazy hot and then…. ta-daaah!… I saw People’s Pops among the stalls….whoop…I haven’t ever seen this cute brand before and I LOVED IT! The branding, the simplicity, the concept and on a hot day, their pure fruit lollies or cups of shaved ice are perfection! The guys were really popular, with a huge slab of ice they shave off enough to fill a cup and add a shot of fruit syrup on top, or you can have a lolly laden with fruity goodness….mmmmmmm!

A good day indeed.

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