Hooray for Hollywood Costume

Most people who like fashion and galleries, are probably aware of the current exhibition at London’s V&A; Hollywood Costume. Billed as a ‘once in a lifetime opportunity to see over 100 of the most iconic costumes in the history of film-making’, my Mother and I arrived with pretty high expectations. And by heck, it certainly didn’t disappoint, this exhibition is nothing short of epic. We arrived in Kensington, had a long lazy coffee and mooched over to the V&A. My goodness it was busy, my lovely Mama is a member of the V&A which is amazing value and gets you into the exhibitions free and ahead of the queues, phew! It was bustling! I knew the exhibition had three main rooms but I had no idea how huge this show was. All three rooms were grand in size and both the curation and the styling was beyond superb. Every costume was given room to breathe, they were not behind glass which was great to see, but the security was understandably hot, no photos and no touching! The lighting was perfection, pretty dark with just the outfits given the spotlights. The information on each movie, character, designer, director and actor was really thorough and the time it took to go through the whole exhibition made us feel, at the end, as if we had been on a magical movie journey. We went into the V&A in crisp autumn daylight, and came out into the dark of the evening. Wow. We were totally absorbed and were completely unaware of time, exactly like that wonderful feeling you get after being in the movie theatre, you come back outside to real life, having just spent time in another world, gorgeous.

The amount, the variety and the provenance of all the costumes on display was literally awesome. Seeing a dress worn by Marilyn Monroe, Audrey Hepburn, or Vivien Leigh on it’s own would be a great delight, but this exhibition houses pretty much every iconic outfit you could think of. From the beginning of movie history, up to the most recent Hollywood blockbuster, this has everything. It’s great for girls, guys, kids and older people, every single person who visits will undoubtedly see a costume that they have always loved.

One of the main draws of this show was the legendary costume from The Wizard of OZ, most especially the ruby slippers that Judy Garland wore in the film. This was the first time the shoes had ever been on display outside of the USA. Exhibition curator Deborah Nadoolman took 5 years to secure the loan of the shoes from the Smithsonian Museum of American History in Washington. Even then, they were only loaned for a very limited time, so that they could be back in their original home in time for Thanksgiving. The Wizard of Oz is shown every year in the USA as a Thanksgiving tradition. My Mother and I saw the shoes on their last day at the V&A, yay! At the very end of the gigantic exhibition, there they were, in a small glass case all on their own. Oh my, how we gazed upon them. Not as bright and vivid as they appear in the film, the deep red shoes made my heart skip a beat, so much history and value right there in a little pair of beaten up shoes. The shoes in the movie were originally going to be silver, but got changed to red at the last moment so they would be a bolder contrast to the yellow brick road. The ones we saw have since been replaced with replica shoes-made by the same company who made the originals-for the remainder of the exhibition.

With so very many amazing costumes on display and without wanting to spoil the fun for those who are yet to visit, it’s hard to choose which ones delighted me the most, but here is my pick of the exhibition.

Below is the green velvet dress that Vivian Leigh wore in ‘Gone with the Wind’, 1939.

Tippi Hedren’s suit from Hitchcock’s ‘The Birds’, 1963.

My absolute favourite dress in the show, Joan Crawford’s rich red beaded gown from ‘The Bride Wore Red’, 1937.

I was pretty much mostly loving the 1930’s looks, both the original and this silk green modern one from ‘Atonement’, 2007, worn by Kiera Knightly.

Similar to thr red Joan Crawford gown, also designed by Hollywood costumier Adrian, this silver caped and beaded 1930’s dress was another one I fell in love with. From the movie, ‘My Man Godfrey’, 1936, worn by Carole Lombard.

And of course, the classic, simple, and most iconic movie outfit worn by Judy Garland in ‘The Wizard of Oz’, 1939.

Go see this exhibition, it is gob smackingly beautiful, dreamy, nostalgic, stunning, exciting, glamorous and wonderful. It is on until 27th January 2013.

 For more information visit www.vam.ac.uk/hollywoodcostume

 

Shoop-Shoop Shooooes.

Goodness me, shoes are just glorious, what girl doesn’t love them? Like most, I have a pretty sizable collection of shoes. Some I wear to death, others mostly sit there to be admired and slipped on once in a while. I love both vintage and modern shoes, I love sexy high heels, I adore snakeskin and good old leathers, I love glitter and bow details……I also loooove boots, mostly brown boots and 80’s kitten heel ankle boots. With both my shoes and boots I like them to look lived-in and well-loved, I like to look like I walked a few blocks in them, don’t know why but I don’t like the look of brand new shoes, I want my shoes to look as if I have had good times in them. My bedroom is pretty littered with footwear, they are as much ornamental as they are wearable and as with all my vintage pieces, I like to wonder about where the shoes have been worn, who by and how much dancing have they done.

A few of my most favorite pairs of shoes are; my 1920’s silver leather shoes, so flapper, I imagine these danced the Charleston a few times! A great pair for all sorts of outfits that require a feminine and pretty neutral shoe, very dainty and girly, pretty comfortable too.

Another amazing pair are my 1940’s black suede shoes, I call these my ‘Cage’ shoes as they make it look like your feet are in little ornate cages, I love how the foot is pretty much fully on show at the same time as being covered, part of why I love shoes is that ultimately, I think women’s feet look so sexy in them and this pair of shoesies are a great example. These are so classically 1940’s and in stunning condition, you don’t see a lot of shoes like this, a great statement pair worn with a plain dress.

These 1980’s pink and white leather heels are just ace. So definitive of their era and pretty unusual too, great with skinny jeans and a blazer.

These 1980’s black suede and diamante bow slingbacks literally make my heart jump, sooo cute with their over sized bow and so feminine with their open sides and slingbacks…perfect with a black dress.

The Fashion Year. 1983.

James’ Dad has a good habit of finding great old fashion books for me, and for my most recent Birthday he didn’t disappoint. I simply love old books on fashion. They are so perfectly representative of a time and movement, and this one on the fashion of 1983 is just ace. I have always really appreciated 80’s fashion, I like the fact that people either love or hate it, I like the eccentricity of it and to be honest, I think it’s a damn sexy look, it’s also really refreshing against the current overload of feminine ‘vintage’ 40’s and 50’s looks. ‘The Fashion Year’ was published in 1983 and is;

All the glamour and romance of one whole year in the International World of Fashion……A panorama of the Spring/Summer and Autumn/Winter collections from the Fashion capitals of the World-Paris, London, New York and Milan……interviews with the year’s most exciting and innovative Designers-Miyake, Lagerfeld, Armarni and Alaia…..

 

The book has loads of content; photos and writing, it looks kinda dated but also still really current, the big Designers are still all around today- Giorgio Armarni. Calvin Klein, Vivienne Westwood, Halston, Oscar De La Renta, Ralph Lauren, Chanel, Missoni, Versace, Thierry Mugler, Sonia Rykiel, Gaultier, Kenzo……the book looks at dresses, hats, lace, sweats and swimwear as well as Models of the era and fashion icons such as Princess Diana. Original Fashion books reinstate how classic looks are timeless as well as how cyclical all fashion trends are….if you leave any look long enough, good or ‘bad’, it will ultimately be beck on trend again. It’s an amazing read and the pictures are just gorgeous, a great little original book!

The book will be kept at my shop Prim Vintage Fashion if any of you fancy a rummage through the pages!

I SHALL go to the Ball

The exhibition has been on for almost half of this year…but I finally managed to fit in a visit to the Ballgowns exhibition at the V&A in London. Maybe I put off going because I knew I would kinda be overcome with amazement and glee at the mere sight of all those dresses in one place….oooooheeee, it was, as I expected, breathtaking.

‘Ballgowns; British Glamour Since 1950’ is a dream to view. Ballgowns are pretty much my favourite thing in fashion and Sonnet Stanfill who curated this exhibition, did so to utmost perfection. The ground floor of the exhibition showcases 30 ballgowns from the 1950’s up to the 1990’s, and on the upper area there are 30 dresses from recent seasons of the best British designers. Each and every gown is visually stunning, and the way they have been displayed is gorgeous. Grouped in colours on the ground floor, the sense of grandeur and vintage sophistication is ripe, the dresses all behind glass like an untouchable nostalgic memory. Upstairs is white and spacious with holograms on the ceiling and giant pearlescent baubles and modern white wooden chandeliers gathered around the mannequins. I adore the contrast between the two areas, each wholly elegant and magnificent but with totally different atmospheres. This exhibition shows British fashion designers off to their best. The textures, silhouettes, fabrics, colours, effects and glamour are indeed wondrous.

I loved both areas, but as a vintage loving gal, I was more in awe of the older gowns, my very favourite was the chartreuse coloured satin gown by Worth, London, 1960. Oh my….! And upstairs I loved the 2012 black and white silk tulle Marchesa gown. There were two other dresses in the upstairs area which I adored, the silver leathered dress by Gareth Pugh, 2011 with a great big high neck, I also rather loved the Atsuko Kudo lace printed lurex dress from 2011, amazing construction on both of these. Goodness me, all the dresses were spellbinding and I’m pretty pleased that I finally got to go and see them…be still my beating heart…..an utterly dreamy exhibition.

 

  The exhibition is on until 6th January 2013, for more information visit http://www.vam.ac.uk/

 

Diana’s Dresses

Diana: Glimpses of A Modern Princess, is a small but dreamy little exhibition at Kensington Palace. The exhibition, curated by interior designer Finola Inger, showcases 5 of Diana’s evening dresses, oooh what a delight! The whole thing has been beautifully designed, with the most stunning brightly coloured wallpaper lining the walls of the room. Artist Julie Verhoeven was asked to sketch some copies of famous Diana photographs, the deliciously vivid result is a great modern tribute.

The dresses are, as you would expect, well out of touching reach, safely behind glass and gently lit. It’s great to see the dresses up close though, I love seeing dresses that hold great provenance and these are pretty iconic pieces.

The five dresses displayed are;

  • Pink & Purple dress by Catherine Walker. Worn during official visit to Thailand, 1988, and at a London film premier

  • Ivory crepe evening gown by Catherine Walker. Made especially for a state dinner for the King & Queen of Malaysia, 1993. Also worn for iconic portrait by Mario Testino

  • Black taffeta evening dress by Emanuel. Worn to Goldsmiths Hall in London for her first official engagement, 1981

  • Black & white cocktail dress by Bellville Sasoon-Lorcan Mullany, 1989. Worn at charity gala performance at Sadler’s Wells Theatre, London, 1990

  • Black cocktail dress by Gianni Versace, worn at Apollo 13 film premiere, London, 1995

This exhibition has now ended, for more information visit http://www.hrp.org.uk/KensingtonPalace